Writing requires thinking. What is he feeling? What is she thinking? How can I show that? What is his body doing? What is her facial expression?How can I say this in a way I haven’t said before? While I try to not get hung up on a single word, phrase, or sentence, I check my online thesaurus often and Google facts frequently. I type a line, backspace, and type again. Three words forward, two words back.
I’ve watched other authors do a 1K in 1 hour sprint and enviously thought, “How the hell do they do that?”
An impossible dream for me.
After writing fiction for more than 20 years, I’ve become much better, but no faster.
I want to increase my writing speed—not necessarily to publish more books per year, but so that I have more time for other things. Like life outside of writing.
So when I heard about Rachel Aaron’s book, 2,000 to 10,000 How to Write Faster, Write Better, and Write More of What You Love on author Celeste Jones’ blog, I wondered, can a how-to book really teach me to how to write faster? Can it really double my writing speed?
Before I read 2,000 to 10,000, I knew a few things about my writing process:
- It takes me time to warm up and switch into the writing mode. It can take 20-30 minutes for the words to flow easily.
- Interruptions kill me, not because of time lost, but because of lost momentum. If an interruption is long enough, I have to ramp up again.
- I spend about half my work time on promotion and/or social media. This includes writing & posting blogs, reading other blogs, tweeting, time on Facebook, writing reviews of books I’ve read, etc.
Rachel Aaron’s process for writing faster boiled down to two steps:
- Before writing your scene or chapter, jot down what you want to cover. Don’t censor, don’t try to “write” it, just list whatever comes to mind: plot points, snippets of dialog, character traits, and bits of description. Think of as “free writing” that is focused on your story. The idea is that when you finally begin to write, you are not starting cold.
- Keep a time log of what you do during your work period. Keep track of the time of day, how much time you spend writing, how many words you write, promotional activities, etc. This is to determine when you are most productive, because that’s when you should write. Some people find it useful to take structural points from college essays so they decide to buy college essays online to learn how to better structure these bits of information when it comes to fleshing out the idea.
I was midway through a 14K contracted domestic discipline short story when I read the book and started following Rachel’s suggestions.
I’d already noticed that when I thought about my story beforehand (while on my daily walk, in the shower) and then tried to write, the story came easier. So after reading 2K to 10K, I began each writing session with prewriting prep. It was somewhat helpful, and my speed increased a little, but not dramatically.
Then I started tip no. 2 – the time log. Now remember this: I knew I spent a lot of time on social media, and I believed I was being interrupted by drop-in visits, phone calls, the cat, etc.
What I discovered after tracking my time was this: I start out writing slow, but my writing gets faster the longer I write. But just when I really got trucking (after about 45 minutes of writing), I would stop to check email, Twitter or Facebook. I was sabotaging my own writing speed. I was the biggest interruption of all.
Because of the time log, I could see my productivity drop following those “quick checks” of email and social media. Once I realized what I was doing, I forced myself to stick to the task of writing, and I watched my writing speed increase from 500 wph to 750 wph to 1K per hour! I had done it! I had completed the 1K writing sprint!
I had achieved the impossible.
To dream the impossible dream
To fight the unbeatable foe…
…To reach the unreachable star
About that time, I finished the story I was writing. But my goal with the next book is to reach 1.5K per hour.
A few other things about Rachel Aaron’s book:
The tips on how to write faster comprise only a small portion of the book. Most of the focus is on her plotting method and how she edits her manuscripts. Aaron is a hardcore plotter extraordinaire – but she needs to be. She writes 120K fantasy epistles. Pantsers who want to discover their story and characters as they write it may not be interested in a lot of her advice. But I think every author can find some helpful hints in the book. It can help you write faster.
I’d like to end with a quote from the book:
“At its core, writing is about entertainment. Good entertainment is interesting and engrossing at every stage: creation, execution, and as a finished product. You’re creating something you want others to enjoy, but if you aren’t enjoying yourself while making it…well, you can see the disconnect.”